Category Archives: Poetry

Stephen Dobyn’s Poetry

Stephen Dobyns quote moving aroundI read a poem by Stephen Dobyns, I’m not sure where, but I knew I wanted to more about his process so I purchased next word, better word  the craft of writing poetry.

At random, I opened the book to page 92 and liked what Dobyns says, “The poet keeps our interest by using a multitude of surprises in form and content. To say something that the reader hasn’t thought of constitutes a surprise, and to say something that the reader knows but in a new way can also be a surprise. Anything unexpected functions as a surprise–an idea, a word, a sound, a line break, and so on…But once the surprise has occurred, the reader tries to fit it into the whole. Does the surprise exist to heighten and expand our sense of the entire poem, or is it used for its own sake as a rhetorical device to give false energy to one part of the poem?…Right away the reader will try to determine the reason for this surprise..If no reason is forthcoming, the poet’s credibility is in jeopardy.”

Dobyns book is easy to understand and it’s inspiring.

Stephen Dobyns poet

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Mary Mackey Poet and Novelist

Mary Mackey book TravelersThe Women’s National Book Association had our board meeting on Sunday at poet and novelist Mary Mackey’s home. Wikipedia has this to say about Mackey:

Mary Mackey is an American novelist, poet, and academic. She is the author of seven collections of poetry and thirteen novels, including the New York Times best-seller A Grand Passion and The Year The Horses Came, The Horses At The Gate, and The Fires of Spring, three sweeping historical novels that take as their subject the earth-centered, Goddess-worshiping cultures of Neolithic Europe. https://en.wikipedia.org/wiki/Mary_Mackey

Mary received her BA from Harvard and a PhD from the University of Michigan. She’s been a professor of English since 1972. The following poem is from Travelers With No Ticket Home (Marsh Hawk Press 2014) ©Mary Mackey, 

Walking toward the Largo do Machado

when the smell of jasmine
flows through the streets of Catete like a warm fog
when the scent is so liquid you can
breathe it in get drunk and stagger
I think of all the years I have loved you
and all the years I will go on loving you
I think of how we protect each other from pain and betrayal
how each night we wrap ourselves around each other
and peace floats above our bed like a canopy of white petals

The description on Amazon: In this stunning new collection, Mackey offers her readers fifty-eight intensely lyrical poems written with the same skill and passion that made her previous collection Sugar Zone winner of the 2012 PEN Oakland Josephine Miles Award. Complex yet entirely accessible, the poems in Travelers With No Ticket Home form a visionary meditation on nature, childhood, the destruction of the rain forest of the Amazon, and the real and psychological landscape of travel. Taking us from a small farm in Western Kentucky to the jungles of Brazil, Mackey touches on the broader human feelings of wonder, displacement, grief, love, and love’s endless complications. Here too, for the first time, readers will find Mackey’s complete Karma Sutra of Kindness, a series of seven love poems written over the last thirty years.
http://www.amazon.com/Travelers-Ticket-Home-Mary-Mackey/dp/098823565X/ref=sr_1_1?s=books&ie=UTF8&qid=1437071470&sr=1-1&keywords=Travelers+with+no+ticket+home

Mary_Mackey head shot

Mary Mackey

WNBA members at Mary Mackey's house for a meeting.

WNBA members at Mary Mackey’s house for a meeting.

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Stephen Dobyn’s Poetry

dobyns_stephenJessica Barksdale shared Stephen Dobyn’s poems with us, particularly “How you Like it.” The link below has three of his poems that were printed in The Cortland Review Issue 26. I agree with her the dog in “How you Like It” is memorable.

The Encyclopedia Britannica describes Dobyn asAmerican poet and novelist whose works are characterized by a cool realism laced with pungent wit.” He was born on February 19, 1941 in Orange, New Jersey.

http://www.cortlandreview.com/issue/26/dobyns.html

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Community — A Poem on Coming of Age Croneicles

Ann's main photoRe-blogged from:

http://comingofagecroneicles.com/community-a-poem/

Community – A Poem

by Ann Winfred from Coming of Age Croneicles

Ann's porch with people

 

 

 

 

 

 

In bygone days,
Neighborhood folks gathered on porches
Touched the world and each other
Nodding, smiling, calling out.
Sprinklers caught sunlight in rainbows.

In bygone days,
Inner-city folks gathered on stoops
Shared stories of days and dreams
Laughing children, posing teens.
Music seeped through open windows.

Now days,
Plastic bags dance past shuttered houses
Blue light mirrored in faces
Caught in worldwide gossamer
Sojourners in shared illusion
Neighbors of a global village.

Ann's internet for poem 2

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Ann Winfred’s Coming of Age Croneicles

Ann's when I wear purple

Ann Winfred,  Coming of Age Croneicles, posted this essay on her blog about Jenny Joseph’s poem “Warning”:

http://comingofagecroneicles.com/when-i-am-an-old-woman/

WHEN I AM AN OLD WOMAN…

The teacher of my senior chair yoga class mentioned the other day that she finds herself inexplicably attracted to wearing purple after sixty years of being less than enthusiastic about the color. Her confession set off a dinging in the twisted coil of synapses I laughingly call my memory, so I climbed up the rickety steps to my brain to find the source of that dinging. Flipping through my Rolodex of recorded thoughts, I found it. Sometime back in my 30’s, I heard the phrase, “When I am an old woman I shall wear purple,” and was intrigued by the sense of freedom and bravado the words conveyed. Not knowing if the phrase was a quote, a poem, a song or a book, I climbed into Uncle Google’s lap and let him take me on a type/click journey. This is what I found.

“When I am an old woman I shall wear purple” is the first line of a poem, “Warning,” written in 1961 by 29-year-old Jenny Joseph from Birmingham, England. A 1996 BBC poll declared “Warning” to be the United Kingdom’s most popular post-war (that’s WWII, ladies) poem, beating out Dylan Thomas’s “Do Not Go Gently Into That Good Night.” Ms. Joseph produced a large body of work over her lifetime but this one poem has defined her and inspired thousands of women to wear purple in honor of their cronedom. Asked why she never wore her celebrated color, Ms. Joseph replied, “I can’t stand purple. It doesn’t suit me.”

The second line of the poem, “With a red hat which doesn’t go…” inspired the creation of the Red Hat Society by a California woman named Sue Ellen Cooper when she gave a friend a birthday gift of a vintage red fedora and a copy of “Warning.” The new birthday tradition spread, along with a penchant for purple outfits, red hats, and tea parties. The Society now boasts over 40,000 chapters in the United States and thirty other countries.

Watch Ms. Joseph and hear her delightful British accent as she reads her poem. Enjoy, ladies.

WARNING
Jenny Joseph

When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we’ve no money for butter.
I shall sit down on the pavement when I’m tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people’s gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.

readingpurpleYou can hear Jenny Joseph read the poem on Ann Winfred’s blog:

http://comingofagecroneicles.com/when-i-am-an-old-woman/

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Poetry and Poets Quotes

Poetry by Goethe with pic“If you cannot be a poet, be the poem.” David Carradine

“Painting is poetry which is seen and not heard & Poetry is a painting which is heard but not seen.” Leonardo Da Vinci

“Poetry is the art which is technically within the grasp of everyone: a piece of paper and a pencil and one is ready.” Eugenio Montale

“I stand upon my desk to remind myself that we must constantly look at things in a different way.” Dead Poets Society

Dead poest society standing on desks“Prose = words in their best order: Poetry = the best words in the best order.”

“A true poet does not bother to be poetical. Nor does a nursery gardener scent his roses.” Jean Cocteau

“We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry.” William Butler Yeats

“Dancing is the poetry of the foot.” John Dryden

“Poetry is when an emotion has found its thought and the thought has found words.” Robert Frost

“Poetry is an echo, asking a shadow to dance.” Carl Sandburg

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Basho Haiku

Basho HaikuMatsuo Munefusa (Basho), 1644 — 1694, became well known in the intellectual Edo part of  Japan, which is now modern Tokyo. He had a future in the military since he was born into a samurai family, but he preferred to live in poverty as a wanderer. At times he’d return to a hut made of plantain leaves, basho, which he took as his name. His haiku helped to transform the verse form from a social pastime into a Japanese poetry genre.  One of his familiar haiku is

 

 

an ancient pond

a frog jumps in

the splash of water

Generally, haiku uses the 5-7-5 form, meaning five syllables in the first line, seven syllables in the second line, and five syllables in the third line. Some haiku ignores that pattern and the typical topic of nature, earth, the natural world.

One of my Basho favorites is:

lark on the moon, singing–

sweet song

of non-attachment

Punctuation is controversial. The form can use a capital for the first letter and a period at the end or it can be written with no capitals and no period. The latter makes the poem appear to float. The concept is that the image starts in the mind, and the hand moves over the paper before any writing appears as if the process is ongoing in space and time and the haiku is just a small part of a larger whole. With small letters and no full stop, the haiku imitates a timeless, spaceless poetic process that wouldn’t be as effective if capitals and periods were used.

Here is one of Basho’s that shows his preference for nature over humans:

all my friends
viewing the moon –
an ugly bunch

Another Baso with a different opinion than we would have:

sparrows in eves
mice in ceiling –
celestial music.

Here’s a haiku I wrote:

hello sweet kitty

you greet my return each day

smiling face I love

I’d like to read your haiku. You can write it in the comment section below.

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Senryu, Similar to Haiku

poets cornerThe Shadow Poetry link http://www.shadowpoetry.com/resources/haiku/haiku.html

explains the differences between Haiku and Senryu.  Kathy Lippard Cobb wrote the information and included samples of each. She states that senryu deals with human nature, satire, humor, and political issues. Debates about what is or is not senryu is confusing. When poets submit a poem that could be haiku or senryu, they often let the editor decide which it is. The two forms are similar structurally but different in tone.

See Cobb’s article for more detail and examples.

 

 

 

 

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Haiku Samples

Haiku sample traditional Haiku is a form of Japanese poetry. It is comprised of 3 phrases. Traditional haiku form is a total of 17 syllables with the first line having 5 syllables, the second line has 7 syllables, and the last line has 5. The one on the far left by Earle J. Stone follows the traditional pattern. Often, the third line is a surprise. It might be about something different from the first two lines, perhaps a new perspective.

Contemporary haiku in English often ignores the 5-syllable, 7-syllable, 5-syllable format. Haiku not traditional

Deserted beach
will it stay or go
the driftwood!

His short apology,
and how the chocolates after
cling and cling.

Sundial garden
father’s peach tree
growing in his ashes.

Free Haiku is available on https://www.haikucandy.com

Anthony Rutledge has authored thousands of Haiku and selected some to share online at the above site. He offers an unusual service for personal or commercial use. You can sign up to have a Haiku added at the end of your emails (you can cancel at any time).

If you’d like to share a haiku you’ve written, put it into the reply comment here. I’m interested in reading yours. I’ve learned to appreciate haiku more than I have before.

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Winners in the Poetry Contest About Choices

Poetry contest winners with quillThe winners of my poetry contest about choices have been announced by my poet friends who agreed to be judges. Poems by the three award winners and the honorable mention poets will be published in my next anthology with the theme choices. The anthology will be published in late summer of  2015.

Hear the drum roll for:

First place: Regina Puckett “Their Pool of Pandemonium”
Second place: Tanda L. Clauson “If You Want to Exist Do Not Choose Left”
Third place: Kate Ann Scholz “About Choices”
Honorable Mention: Mona Dawson “By My Choice”
Honorable Mention: Elaine Webster “Whispers of the Lake”

I have put all the entries in the Contest Archived Page but I need to improve the formatting. Until I do, the poems continue to be on the Contest Page.

I will post a new contest in a couple of weeks. Congratulations to the winners.

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