Tag Archives: Ann Winfred

Elizabeth Strout’s Amy and Isabelle and Ann Winfred’s Replica

amy and isabelle book cover

Elizabeth Strout is one of my favorite authors. Olive Kitteridge and Abide with Me have memorable characters and settings that feel as if I’ve been there. Her debut novel published in 1998, Amy and Isabelle, is my favorite. The back cover describes the story: “In most ways, Isabelle and Amy are like any mother and her 16-year-old daughter, a fierce mix of love and loathing exchanged in their every glance. That they eat, sleep, and work side by side in the gossip-ridden mill town of Shirley Falls only increases the tension. And just when it appears things can’t get any worse, Amy’s sexuality begins to unfold, causing a vast and icy rift between mother and daughter that will remain unbridgeable unless Isabelle examines her own secretive and shameful past.”  http://www.amazon.com/Amy-Isabelle-novel-Elizabeth-Strout/dp/0375705198/

Alice Munro said of Amy and Isabelle, “A novel of shining integrity and humor, about the bravery and hard choices of what is called ordinary life.”

I met Strout at a reading from her Pulitzer Prize winning novel, Olive Kitteridge at Pleasanton’s Towne Center Books. But, I wanted to talk about Amy and Isabelle. I admired her ability to make the mill where the mother and daughter worked so real that when I think about it, I’m there. The heat, the chatter from the female workers, the quality of light, etc. She asked  me what I like to write, and I told her about Eva in the Haight but I said I didn’t know who my audience was and I thought my novel wasn’t saleable. She told me not to worry about who would read it or like it. We need to write the story we want to write. I believed her in spite of advice from several writing books that stressed knowing one’s audience.

Another mother and daughter story that ends with a surprise twist was recently written by Ann Winfred on her site, Coming of Age Croneicles. It’s called “Replica” and can be read at http://comingofagecroneicles.com/

Ann's Replica

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The Use of Diary Entries in a Short Story

diary-25157__180Paula Chinick, who wrote a mainstream short story called “Hidden Discovery” in my anthology, Written Across the Genres, used diary entries between narrative paragraphs. Jean, the protagonist, talks in first person about finding her mother’s  diary after she died.

“I found it a few months ago while forced to go through her things alone. Alone, because neither my brother nor sister would help. Big babies, I never can count on them when things get tough. It’s taken me this long to muster the courage to open it.” I flip open the cover than slam it shut. I take a deep breath, open it again, and read:

December 25, 1970

Dear Diary,

Isn’t that how you start these things. Sounds idiotic. But since it’s in ink I can’t scratch it out and start over. I’ll never use it again.

I received this journal for Christmas from my father’s mother, Nana. I’m not her favorite. Last year I received a blue-haired troll doll, a fad from the 60’s. New motto: Make lemonade out of a turnip.

I’ve decided to record meaningful events in my life. When I’m grey and wrinkled, I will reflect on whether my life held significance.

First entry–Got engaged Christmas Eve. At eighteen, is anyone ready for marriage?

January 2, 1971

Eloped! Never thought I’d go through with it but he’s a good man.

Out of the few who didn’t get drafted and sent to Vietnam.

When Chinick submitted this story I believed it was true. I asked her about putting it in the Memoir section and expressed how touching the ending was for me. The voice of the mother in the diary entries came through in strong contrast to Jean’s narrative. I believed that Paula changed her name to Jean to tell this amazing story. Chinick laughed and said it was all fiction.

How wonderful to unintentionally fool me into thinking it was a true story about her mother. When readers believe fiction is real, that is a sign of a successful writer.

To read Chinick’s story, you can order Written Across the Genres from you local book store, from Amazon, or on Kindle.

Paula Chinick published a thriller called Red Asscher–Living in Fear, available at Amazon and on Kindle:

http://www.amazon.com/RED-ASSCHER-~-Living-Fear-ebook/dp/B00JW1QB5G/ref=sr_1_1?ie=UTF8&qid=1434767347&sr=8-1&keywords=Red+Asscher

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A Story from Coming of Age Croneicles by Ann Winfred

Ann's House on the Monte

My friend, Ann Winfred in Texas writes poignant stories. Here is one I reblogged from her site:  http://comingofagecroneicles.com/house-on-the-monte/

House on the Monte by Ann Winfred

When my editor at the CACTUS SUN TIMES suggested I cover the demolition of the old Carson house, I jumped at the chance to escape the office. I called my friend Margaret to join me and grabbed a camera on my way out the door.

“Jake,” the boss called. “See if you can come up with an angle out there, something like Last House on the Monte Devoured by Aliens.” The boss loved talking in headlines, the more theatrical the better.

As we drove, history-buff Margaret provided me with background notes. “The Carson is the last of a breed of ranch houses built in this area in the early 1930’s. Joe Carson and his wife, Betsy, ran about 200 head of cattle on 800 acres, a relatively small spread, but the ranching business was booming back then and they did well. They occupied the house and worked the ranch well into the late 60’s.”

“I had a dust-up with that old house back when I was in high school,” I said. “Me and a couple of the guys went out there one night to celebrate a big football win. Going up on the porch, I tripped on one of the steps and damned-near broke my fool neck. Weird thing is we all heard a loud bang come from inside the house at the exact instant I fell. We hauled ass back to town to finish our partying.”

“Boys just being boys, huh, Jake?”

“Bunch of scaredy-cats, more like.”

Pewter skies and a seeping drizzle dampened any picnic-on-the-prairie fantasies Margaret and I might have entertained about the outing. Our sense of gloom deepened as we drove further into a ruined landscape of broken mesquite trees, mangled cactus plants and scorched prairie grass. The once vast, open land lay smothered under rows of houses packed together like fields of giant mushrooms.

The old Carson House finally came into view, floating on its tiny island of yesterday. Outside the yard, a Caterpillar bulldozer squatted on a flatbed truck surrounded by workmen, battered pickups, and mountains of equipment. I parked the car out of harm’s way at the far end of the caliche driveway, and we headed for the house.

“Mind that second step,” a voice shouted. Margaret and I stopped and looked around the porch and yard but saw no one.

“I’m sorry to startle you.” The voice was deep and raspy, like a rusty gate that hadn’t been opened in a long time. “Several years back some teenage hooligans came out here bent on mischief. When the first kid started up onto the porch, I pulled a board loose from that step and gave him a hearty thwack to his backside. Scared the bejeesus out of those boys, and I never had a lick of trouble after that.”

Margaret covered her laugh with her hand, and I pulled my jacket collar up over my neck. “Who – where are you?”

“I am right here, Mr. Avery. Welcome back. Please come on up. I trust you remember which step to avoid?”

Margaret’s laugh broke loose as she took my arm to guide her over the vigilante step. I busied myself taking pictures of the front of the house, the porch and the yard.

“Before my executioner over there on that flatbed truck carries out its commission, I would like to tell you a bit about myself. I am particularly proud of this porch Joe and I designed. It wraps fully around me to allow access from all of my rooms, a 360° panoramic view of the monte. Now, please step inside.”

The front door swung open with a creak, and we entered a spacious living room.

“What a magnificent room,” Margaret said. She ran her hand over polished wainscoting and petted the mesquite mantle over the fireplace. “Jake, come look at this workmanship. It’s exquisite.”

“Thank you,” the house said. “Joe was a crackerjack carpenter but depended on me for artistic imagination.”

I shot some close-ups of the mantle then zeroed in on the carved frames enclosing the eight-foot windows. That’s where I found the faded black and white photograph of a smiling young man and woman with two small children sitting on the front porch.

“That’s Joe and Betsy and me with the two kids taken the day they moved in. Would you mind putting it here on my mantle?”

I showed the picture to Margaret then did as the house asked.

“Thank you, now I can see it better.”

A burst of shouting came from outside as a workman drove the bulldozer off the truck. It crouched growling and belching gouts of black smoke at the far end of the yard.

The house raised its voice several decibels. “I’m afraid my firing squad grows restless.”

At the house’s suggestion, we toured the spacious kitchen then stepped out onto the back porch where I took pictures of a large yard of giant mesquite trees marked with orange spray paint X’s. A tire swing dangled from one of the condemned trees.

“I spent many comfortable years with Joe and Betsy Carson and their two children, save for the usual calamities of a broken arm or two, dislocated collarbone, droughts, floods, and teenage angst. After Joe passed away and Betsy moved into town, I stood empty for many years until an elderly woman came by, and I nudged my front door open for her. That was all the invitation she needed.”

The house had to shout to be heard above the cacophony of slamming truck doors, bellowing men, and whining machinery as more workers and equipment arrived. Margaret looked out the window. “Things are heating up out there, Jake. Maybe we ought to…”

The house spoke more urgently. “The old lady and I enjoyed two quiet decades taking care of each other and savoring the soft lights and changing colors on the monte. Sitting on my porch one evening at sunset, she passed away with a soft smile teasing her lips and the breeze gently ruffling her hair. I’ve missed her…”

A platoon of workmen fell into formation at the edge of the yard and advanced toward us, the bulldozer lumbering behind them.

“Jake,” Margaret said, “I think we should go – now.”

“Yes, I fear you must leave and do so quickly. Thank you for coming and listening to my senile meanderings.”

We started down the steps but turned back when the house spoke again.

“Look. The sun tore a hole in the clouds and uses its light to paint the tips of the grasses that soft yellow I love. The mesquites wave at me, and the breeze whispers in my eaves. Adiós mis amigos.”

Margaret gently touched the porch railing and looked up at the house. “Your story will be told, I promise,” she said.

We hurried down the driveway, dodging workmen, equipment and snarling machinery as the horde swarmed the house and yard. When the first bite was torn from the house’s side, it screamed once then fell silent.

Neither Margaret nor I spoke as we drove back to town through the weeping rain.

The boss wasn’t crazy about my headline, but he ran it anyway — “Old Carson House Dies with Dignity.”

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Community — A Poem on Coming of Age Croneicles

Ann's main photoRe-blogged from:

http://comingofagecroneicles.com/community-a-poem/

Community – A Poem

by Ann Winfred from Coming of Age Croneicles

Ann's porch with people

 

 

 

 

 

 

In bygone days,
Neighborhood folks gathered on porches
Touched the world and each other
Nodding, smiling, calling out.
Sprinklers caught sunlight in rainbows.

In bygone days,
Inner-city folks gathered on stoops
Shared stories of days and dreams
Laughing children, posing teens.
Music seeped through open windows.

Now days,
Plastic bags dance past shuttered houses
Blue light mirrored in faces
Caught in worldwide gossamer
Sojourners in shared illusion
Neighbors of a global village.

Ann's internet for poem 2

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Art is Not Only a Piece of Heart

artist soul from AnnThanks to Ann Winfred’s friend, David, for sharing this quote with her and thanks to Ann for letting me share it too.

I dedicate this quote to Ron Toryfter and all his and my artist friends..

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Ann Winfred’s Coming of Age Croneicles

Ann's when I wear purple

Ann Winfred,  Coming of Age Croneicles, posted this essay on her blog about Jenny Joseph’s poem “Warning”:

http://comingofagecroneicles.com/when-i-am-an-old-woman/

WHEN I AM AN OLD WOMAN…

The teacher of my senior chair yoga class mentioned the other day that she finds herself inexplicably attracted to wearing purple after sixty years of being less than enthusiastic about the color. Her confession set off a dinging in the twisted coil of synapses I laughingly call my memory, so I climbed up the rickety steps to my brain to find the source of that dinging. Flipping through my Rolodex of recorded thoughts, I found it. Sometime back in my 30’s, I heard the phrase, “When I am an old woman I shall wear purple,” and was intrigued by the sense of freedom and bravado the words conveyed. Not knowing if the phrase was a quote, a poem, a song or a book, I climbed into Uncle Google’s lap and let him take me on a type/click journey. This is what I found.

“When I am an old woman I shall wear purple” is the first line of a poem, “Warning,” written in 1961 by 29-year-old Jenny Joseph from Birmingham, England. A 1996 BBC poll declared “Warning” to be the United Kingdom’s most popular post-war (that’s WWII, ladies) poem, beating out Dylan Thomas’s “Do Not Go Gently Into That Good Night.” Ms. Joseph produced a large body of work over her lifetime but this one poem has defined her and inspired thousands of women to wear purple in honor of their cronedom. Asked why she never wore her celebrated color, Ms. Joseph replied, “I can’t stand purple. It doesn’t suit me.”

The second line of the poem, “With a red hat which doesn’t go…” inspired the creation of the Red Hat Society by a California woman named Sue Ellen Cooper when she gave a friend a birthday gift of a vintage red fedora and a copy of “Warning.” The new birthday tradition spread, along with a penchant for purple outfits, red hats, and tea parties. The Society now boasts over 40,000 chapters in the United States and thirty other countries.

Watch Ms. Joseph and hear her delightful British accent as she reads her poem. Enjoy, ladies.

WARNING
Jenny Joseph

When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we’ve no money for butter.
I shall sit down on the pavement when I’m tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people’s gardens
And learn to spit.

You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.

But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.

readingpurpleYou can hear Jenny Joseph read the poem on Ann Winfred’s blog:

http://comingofagecroneicles.com/when-i-am-an-old-woman/

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Quote by Grandma Moses

A Good Day’s Work — Grandma Moses

grandma1I look back on my life like a good day’s work, it was done and I feel satisfied with it. I was happy and contented, I knew nothing better and made the best out of what life offered. And life is what we make it, always has been, always will be.

Thanks to Ann Winfred for posting this quote on her blog: http://comingofagecroneicles.com/voices/

And for giving me permission to post it too.

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Solve Writer’s Block and the Sagging Middle of a Novel

sagging middle of a leaning pole with the words

My previous post told how I was stuck in the sagging middle of my novel. I didn’t know how to get back into the rhythm after three months of writing Ekphrasis prose and poetry due the end of December. I’d imagined several ways to begin Chapter 15 and didn’t like any of the options. For the first time, after writing three novels, I had writer’s block.

Ann Winfred came to the rescue. She and I are on-line accountability partners. We have an agreement to write and submit to each other a minimum of five hundred words on our WIPs each week. Her work in progress is http://comingofagecroneicles.com When I told her I was struggling, she asked me if I planned to continue with the novel or not and other questions that made me evaluate my goal. In the process, I discovered what I was doing wrong. I had been imagining how to start the chapter. My style is to sit down and write, not to think about what to write. I also had lost contact with my characters. Like an actor, I had to become the protagonist again. The best way to do that was to write.

I sat at my computer and wrote eight hundred seventeen words. Satisfied with the beginning of the chapter, I set it aside. I had an idea of how to eliminate a repetitious boring middle–I’d speed up the action and combine the baby steps to get to the next plot point sooner. I arranged a free day to finish the chapter. As I typed, the protagonist took a different turn, which happens in writing and I was happy with it. Then I discovered that for almost a whole page, I had switched to first person instead of third. Freaky at first, but then I realized I was back to writing in my usual manner, which is to go with the flow of my consciousness and not to think too hard. I changed the I’s to she’s, finished the chapter in record time, and I’m pleased with the new middle. It’s not blocked or sagging any more.

The way to solve writer’s block is to sit down and write. Set a small goal, maybe 300 or 500 words of a draft that maybe used later or might be thrown away, but at least there are words on a page. The next writing time, the result could be longer and better. Trust the muse, the protagonist, your intuition and find an accountability partner.

The way to solve the sagging middle is to sit down and write, bring in more action and tension, amp it up, go to an extreme; you can change it later if needed. Bring in a new challenge, a natural disaster like a hurricane, or make a thief take a treasured item adding to the protagonist’s anguish.

Most important: remember your writing goal and know you CAN do it.

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Croneicles Bats in Our Belfries

Bats in Belfries photoMy friend, Ann Winfred, wrote “Bats in Our Belfries”, an inspiration to get rid of clutter. So inspiring that I sit here surrounded with bags and boxes I removed from my family room closet to make room for paintings that are in the garage. Since I spent all day with the closet, I needed a computer break and will finish tomorrow. It’s a project that has called to me for months.

I highly recommend Ann’s Coming of Age Croneicles. Her stories and meanderings (as she calls them) are well-written, profound and often funny, plus she taps into universal feelings. For “Bats in Our Belfries”, she quotes Anais Nin: “If one changes internally, one should not continue to live with the same objects. They reflect one’s mind and psyche of yesterday. I throw away what has no dynamic, living use. I keep nothing to remind me of the passage of time, deterioration, loss, shriveling.”

Here is the link for “Bats in Our Belfries” http://comingofagecroneicles.com/bats-in-our-belfries/

It’s short and a real gem.

The photo above is from the meandering.

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Visit Coming of Age Croneicles

Ann WinfredIn my last post, I quoted Patricia Flaherty Pagan’s description of flash fiction which she compared to a geode that “reveals crystals shining within.” Readers can find unique flash gems  at http://comingofagecroneicles.com

Ann Winfred, creator of “Coming of Age Croneicles, Voices From Over the Hill,” offers excellent flash stories, essays, and meanderings. “Bats in Our Belfries” is one of my favorites. “Falling in Love Again” has a WOW ending on Maui. Winfred lived in Hawaii for several years and brings the essence of the islands to several of her meanderings, as she likes to call them. “South Texas Harmony” takes the reader on a truck ride to the sensory area where she lives now.  In some shorts, she has introduced Inez, a character who doesn’t want to be found and plays cat and mouse with a private eye who’s on her trail.

The category in the Table of Contents called Voices is “a cornucopia of evocative thoughts and observations from our world’s most elegant minds.” Winfred quotes Eudora Welty, Bette Davis, Grandma Moses, Joan Didion, among many others.

Winfred brings flash stories and essays to a new level of gems in small packages that entertain but also enlighten.

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